Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 356 | Nawab Nasir ud Din Haidar,King of Oudh,with his Minister Vazir Motamad ud Daula Agha Mir in the Kudsia Mahal,Lucknow | Portrat der Agnes von Anhalt-Dessau (1744-799), Freifrau von Loen | Reconstruction of the Baths of Diocletian in Rome | Jose de ibarra | Related Artists:
DUGHET, GaspardFrench Baroque Era Painter, 1615-1675
Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet's career into three periods.
PROVOST, JanFlemish Northern Renaissance Painter, 1465-1529
Morgenstern, ChristianGerman, 1805-1867
German painter. After training from 1824 with Siegfried Bendixen (1786-1864) in Hamburg, he studied at the Kunstakademi in Copenhagen in 1827 and made sketching trips to Sweden and Norway. He then settled permanently in Munich. He was influenced in particular by 17th-century Dutch painters, notably Jacob van Ruisdael, the Copenhagen plein-air painters, the emerging Norwegian landscape school and the early Realist painters working in Munich, such as Johann Georg von Dillis. Morgenstern explored objective, pure landscape painting with intimate motifs in such works as Beech-tree Trunks in Fredericksdal near Copenhagen (1828; Hamburg, Ksthalle). He also painted scenes combining closely rendered foreground details with extensive,